Moaning Lisa write about relatable scenes of love and domesticity charged with searing guitars and drums.
Moaning Lisa Want To Take You Out
Tag: melbourne
Rivers And Plains: Traversing Musical Landscapes With Rob Snarski
"Part of this album is about fate, and where you find yourself and what shapes you as the person you have become."
Single Premiere: Time For Dreams x Dream Kit, ‘Move It’ Remix
Kaleidescopic Melbourne duo Time For Dreams premiere a band-new remix with the help of producer Dream Kit, a creative celebration of their 2017 debut album.
Single Premiere: Majestic Horses, ‘Destroy Everything’
In just under two minutes, Majestic Horses manage to sum up the inherent dysfunction found within contemporary society – that of political contradiction and sheer economic divide – all within the confines of a bright and metallic pop song.
Single Premiere: Palm Springs, ‘Hollywood Failure’
We premiere the lush new track from Erica Dunn's solo project, Palm Springs.
Killer Female Talent Spotlight: Totally Mild
There is a transient beauty to Totally Mild. From the songs to the album artwork and accompanying videos, the group’s second album positively gleams.
Augie March: Glenn Richards On Bootikins And Expending The Nightmare Self
The music of Augie March is far from immediate. Rather, it takes the listener time and space to acclimatise; for the mind to open up to these wordy, otherworldly songs.
Killer Female Talent Spotlight: Coda Chroma
Coda Chroma are a difficult group to categorise. Incorporating shimmering orchestral arrangements and elemental samples among more traditional indie-rock compositions, the Melbourne-based group defy genre.
Tropical Fuck Storm Interview: As The Name Implies
A natural evolution from The Drones, Tropical Fuck Storm contains many of the elements that you would expect, namely Gareth Liddiard’s apocalyptic balladry and the rhythmic heft of Fiona Kitschin’s basslines, undercut by a chilling catharsis.
MOD CON: A Chat With Erica Dunn on her Raucous New Release
MOD CON’s debut LP begins with a bang. Distorted bass erupts into a flurry of staccato percussion and angular guitar lines that weave around Erica Dunn’s frenzied vocals.
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