There is a transient beauty to Totally Mild. From the songs to the album artwork and accompanying videos, the group’s second album positively gleams.
The music of Augie March is far from immediate. Rather, it takes the listener time and space to acclimatise; for the mind to open up to these wordy, otherworldly songs.
Coda Chroma are a difficult group to categorise. Incorporating shimmering orchestral arrangements and elemental samples among more traditional indie-rock compositions, the Melbourne-based group defy genre.
A natural evolution from The Drones, Tropical Fuck Storm contains many of the elements that you would expect, namely Gareth Liddiard’s apocalyptic balladry and the rhythmic heft of Fiona Kitschin’s basslines, undercut by a chilling catharsis.
Welcome to the brand-new fortnightly feature dedicated to Killer Female Talent from around the world.
MOD CON’s debut LP begins with a bang. Distorted bass erupts into a flurry of staccato percussion and angular guitar lines that weave around Erica Dunn’s frenzied vocals.
Loads of like-minded people meet online. Few have already formed a band by the time they meet in person.